Various Artists
ODE AN DIE LANGEWEILE
EINE HOMMAGE AN HANNS EISLER
1.Resolution |
|
nml 9826 CD 1998 - 49'31
|
Is Eisler obsolete? In the jubilee year 1998 this question is asked again and again, not with reference to his concert pieces which are in the tradition of the so called e-music of the 20th century, but with reference to his political pieces and fighting songs. Whereas Eisler´s music for concerts represents an interesting continuation of the European compositional tradition and therefore, in the context of a conventional concert programme, still seems to be fresh today. His ´engaged´ music seems to be covered with dust, connected to its time in an unbearable way. One feels to be put back in the time of the ´concrete heads´ and a politically motivated artistic actionism. This impression basically comes up because of the instrumentation (marching bands, worker´s choirs) and the way these political pieces were performed in the East and the West before the end of the cold war, they always seemed didactic, almost demagogic. Without this ´instructions´ there are beautiful melodies and original ideas regarding the musical form as well as the relation between text and music. Eisler´s compositions merged with new musical styles that he couldn´t have known, enable the music to shine, relieved of the burden of ideology, refreshed with a lively disloyalty that does this music justice.
Michael Gross | Trompete, Flügelhorn, Gesang, Casio SK1 |
Margareth Kammerer | Gesang, Stimme |
Leonid Soybelman | Gitarren, Gesang |
Hanno Leichtmann | Schlagzeug, Syncussion |
Nicholas Bussmann | Cello, Gesang, singende Säge |
Joe Williamson | Bässe |
Mark Scheibe | Ensoniq VFX, Casio SK1, Gesang |
Cem Süzer | Gesang |
Trixa Arnold | Gesang, Melodica |
Ilja Komarov | Bass, Gitarre, Elektronik |
Adeline Rosenstein | Gesang |
Antje Thierbach | Oboe |
Lotte Thierbach | Stimme |